Michelle’s Mom Speaks

To: David Lynch
Re: My daughter, Michelle Levy vis a vis Twin Peaks

Dear Mr. Lynch,

Right from the start, Michelle spun the everyday into magic.

She must have been three and enamored with fairy tales when she began to dig holes in the yard to find her way to England where she could be a princess. Her search for highness was impetus for a family trip abroad.

When Cabbage Patch dolls became the rage and were backordered, rather than just wait, Michelle, who by then was about six, created one out of fabric remnants and ribbons, quite a lovely doll which I have to this day. She created other toys and little girls’ accessories that she was not able or allowed to acquire.

When she was in her second grade class, all the other parents and I were amazed to see a painting displayed high above the chalkboard by someone whom we thought must have been a visiting artist. It was Michelle’s.

In fourth grade, she wrote a novel, The War of the Religions, in which imagined a world of peace.

Michelle has been busy ever since creating stunning visual and performance art. What a joy it would be to see her on Twin Peaks. Please bring her on board so the magic she spins with her audiences while searching for Agent Cooper can be directed back to the source of her inspiration.

Thank you,
Bernice Levy

Colby Chamberlain Speaks

As director of EFA’s exhibition program, Michelle Levy has established a vital platform for the New York arts community. As an artist, she is part of a vanguard—including, among others, Martine Syms, Melanie Gilligan, and Guy Ben-Ner—that has transformed contemporary art’s knee-jerk rejection of television into a more searching and intelligent engagement with the medium’s tropes, conventions, and complexities. Like the original “Twin Peaks” series, Levy is a game changer.

Colby Chamberlain, senior editor, Triple Canopy

Tina Harris Speaks

I’ve known Michelle Levy for 21 years. At first I just thought it was my imagination, but after starting her Search for Agent Cooper, she became a bit more…nebulous. She spoke in riddles. Her clothes took on a different hue – colours she never wore before; like mustard yellow. She began to remind me of a new character in Twin Peaks. The only problem was that there were no new characters in Twin Peaks. The series was long gone. And then I thought that it might be the Search that was preparing her for some sort of new role in life. And then – a new season of Twin Peaks was announced. She is ready.

Tina Harris
Amsterdam

Franziska Lamprecht Speaks

ML – what does it stand for?
Michelle Levy?
Magaret Lanterman?
I hope the once called Michelle adds a birth certificate to her application. She might be the exact same age that Margaret Lanterman was 20 years ago. She definitely looks a little bit like her.
I wonder who carries the log right now?  Who will be leading us to the many? Could Michelle hold the log? Could she then open her mouth and say the thing she needs to say?
I wonder –  for a reason.

Franziska Lamprecht
NYC

Bean Gilsdorf Speaks

To Whom It May Concern:

I am writing this letter on behalf of Michelle Levy, to strongly recommend that she appear in an episode of Twin Peaks. The reasons for endorsing this appearance are strange, coincidental, and compelling–and as such are consistent with the show itself. On July 12, 2013, I received the following email from Cassandra Thornton [1]:

“This email is an introduction for two forces that must meet. Bean, Michelle has some questions for you about palms. Michelle is the director of the project space at Elizabeth Foundation and a dear dear friend of very magical portent. More than a director, she is a wild creative thing who is working on a mystical project that takes place on Sunday. I so hope that you two can have a conversation between now and then, or at least in the future, where you might realize how amazing you both are and how much magical and intellectual and human traits you have up for discussion.”

After such an introduction, who could refuse? I set a date to Skype with Michelle, and in advance of our talk she sent me the following image files:  https://www.flickr.com/photos/26485170@N03/sets/72157634640043334/ (I am a palmist, and Michelle asked me to analyze the images so that she might learn more about how Agent Cooper’s hands reflected aspects of his general personality, as well as his past and future). In the course of our subsequent conversation, we discussed her upcoming performance, which involved looking at the hands of audience members and searching for similar markings to those that are found on Agent Cooper’s hands. While we chatted, I noted that many of the main traits of Cooper’s hands could be found on Michelle’s own hands, and wondered about a mystical connection between them. Surely this was no coincidence, as the same traits would be necessary for both their chosen professions. [2]

Michelle and I have kept in touch since then, and I would suggest to you that casting her on the show, even in a small role, would have a profound impact on her practice as an artist, a very relevant effect on her ongoing inquiry into the nature of Agent Cooper’s life, and a potentially orphic result on the show itself. Let me make it plain that Michelle is no mere groupie, nor is she a knife-wielding stalker; she has spend countless hours intellectually absorbed in the issues of Twin Peaks and its main character, reflecting on some of David Lynch’s concerns with fiction and reality in her well-received performances. Bringing her onto the show would be like bringing two far-flung but related bodies into orbit–magical things could happen, and I believe they would.

Please feel free to contact me with any questions or concerns. On behalf of Michelle, I thank you for considering this proposal.

With all sincerity,
Bean Gilsdorf

artist, arts writer, palmist
Warsaw, Poland

[1] I bring to your attention the fact that our mutual acquaintance is named Cassandra, after the Greek Κασσάνδρα, bringer of prophesies–certainly a portentous beginning.
[2] In particular: Evident in images 2, 29, and 35, Cooper’s middle finger is significantly longer than his index or ring fingers, indicating an adherence to the law and self-governance by rules; the shape of his knuckles (images 21 and 23) show a keen, analytical mind that enjoys mulling over ideas, bouncing them around and testing their strength; images 20 and 15 show a slight disconnection of the pinkie from the rest of the hand, implying an energetic communicator; and images 2 and 8 (note the relative length of the thumb) suggest an abundance of willpower.